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2014年6月2日 星期一

蕭 勤 Hsiao Chin.永恆能量 Eternal Energy


【蕭 勤.永恆能量】

Part 1 展期.壹玖玖零年前作品
2014年6月6日至6月30日

Part 2 展期.壹玖玖零年後作品
2014年7月2日至7月27日

茶會 2014年6月14日PM3:00


永恆能量

就如我在2013年台北美術館『非形之形』的抽象藝術聯展上致詞所言:「抽象藝術是從台灣出發並引導著中國的發展」。

 一直以來,我都深信著「生命,雖然都會以結束的方式而離開此世,但;卻會以不同的方式轉換出現,因此;生命的本質也一直在不斷地轉換」。在我畫作中常出現的主題--「度大限」「永恆的花園」,就是在永不絕望的生命思考中延伸而來。 畫幅上鮮豔飽合、流動的線條就像似源源不絕的長河,在畫布上綿延不息,更似永不絕望般的,擁有一股強大上昇的帶動能量。「光明的彼岸」、「大能量」系列,則帶著宇宙陰陽之對應,予人產生一股重生的力量與勇氣。

近十年來所發展的「宇宙愛心」系列,我著重在人和自然、人和能量,以及生命相關的表現。但;「情感」則以含蓄的表達方式呈現,蘊含在畫面之中。包含人和人或是人和宇宙之間的情感狀態,是顯性的「大愛」正無所不在的進入無限之「大我」中。我以單純及直接的方式繪出愛心,但在畫面中加入「無限大與兩個宇宙之符號。且有許多漸層性的表現,展現一種「愛包容且納涵著無限能量」的語彙。
在在寓喻我們皆能於生命的完整和不完整中,尋求到一種永恆能量之對應與轉換。都是我想傳達的重要訊息。

是的!對我來說,人生每個不同的階段是一種『輪迴』,離開了這裡,還有另一處,像似一個圓般的,是一種非時間性、物質性的境界。

無論我在繪畫過程中的主題如何變化,這些畫作所傳達的意境,皆是處在一種精神性、超越時間性和物質世界的空間中,人類的精神層面,原本早就該超越肉身的存在。雖然,繪畫是在平面的二度空間中被創造出來,但我自己一直夢想著一種「沒有空間的空間」,希望能打破平面的限制,傳達某種能量的展現。

我在繪畫中一直要傳達出這種強烈訊息,應該如此說:「普羅大眾須在有限的空間中,應該追求讓心靈層次,在精神上的修為達到無限大的能量和探索,往超越時間、物質的世界中去學習和瞭解生命深刻的意涵。

這,也是至今,我仍努力不懈 將自身的體悟、和永不絕望的救贖精神,以笨拙的筆,和很原始的色彩,創作出一幅幅的畫作,表達人生中『永恆能量』的理念。


Eternal Energy——Hsiao Chin

As indicated in my speech at the “Formless Form” Taiwanese Abstract Art Joint Exhibition held at the Taipei Fine Arts Museum in 2013, “Taiwanese abstract art has been inspiring and influencing the development of Chinese abstract art.”

It has long been my deep conviction that life, subsequent to its physical end, may reappear in different forms, hence the constant change of the essence of life. While I’m musing on how life may hopefully stretch beyond its physical end, this conviction has featured prominently in my creations, such as the Great Threshold series and the Eternal Garden series, in which the curved lines in bright and saturated color on the canvases are flowing rivers as a symbol of dynamic energy that never ceases to grow and ascend, or the Illumination on the Other Shore series and the Great ALL series, in which the binary yin-yang forces in the universe generate strength and courage for rebirth.

In the Cosmic Love Heart series, created over the last decade, humans’ relationships with nature and energy as well as life itself assume great prominence. Yet, ‘emotions’ are implicitly expressed in the images. The relationships among humans or between humans and the universe feature “great love” permeating the boundless “common good”. The paintings, in which layer effects are achieved by adding symbols of the infinity “∞” and two universes to a plain heart-shaped image, convey the inclusiveness and infinite energy of love, which shall enlighten us that we may seek the equivalent and transformation of eternal energy from the completeness and incompleteness of life.

Indeed, as far as I am concerned, each stage of life involves “transmigration”– departing from one place to arrive at another, and this transmigration occurs within a large circle beyond temporality and corporality.      

Whatever theme is developed in my paintings, the presented images are all positioned in a spiritual space beyond limits of time and material. The human spirit shall remain while the flesh perishes. Therefore, in spite of being created in a two-dimensional space, the paintings are the very epitome of what I have dreamt of - a space without space, through which I wish to transcend the limits of space and demonstrate a certain kind of energy.

The message that I strongly wish to convey through painting may be summarized as the following:
The general public shall, within the limited space, strive to seek spiritual growth,
explore the possibility of gaining infinite spiritual energy, and learn and understand the profundity of life in a world beyond temporality and corporality.
     
This is also why I have been working relentlessly to embody my enlightenment and optimistic spiritual redemption with simple strokes and primitive colors in paintings as a manifestation of my philosophy of “eternal energy” of life.


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